View works. Volcan, 1.200 kilometers from home
1.200 kilometers from home
View works
"Sustainability in the art world is usually seen from an environmental perspective, but we believe it’s also about questioning the systems that shape how art is made. By using salvaged materials, we offer a critique of overconsumption in both the art market and society. We want to shift the focus from novelty and perfection to the inherent value of what already exists."

Volcan is a multidisciplinary art duo composed of Rex (Dutch) and Edna (Colombian), based in Notting Hill, London. Their collaborative practice explores human behavior and perception, using global storytelling to reflect on contemporary life. By blending diverse cultural influences, they create thought-provoking art that invites viewers to engage with societal dynamics.

In 2024, Volcan participated in the 60th Venice Biennale, presenting their series "Offline: Refugee Remembrance Wall" in the Republic of Cameroon Pavilion. This work uses the symbol of an incomplete charging circle to represent the unfinished journeys of refugees lost at sea, set against vibrant backgrounds that evoke both hope and the stark realities of displacement.

Their "ROADWORKS" series reflects a strong commitment to sustainability and personal narrative. By upcycling materials like tar, paint, and urban debris, they preserve the histories embedded in these elements, transforming them into artworks that honor their origins and the shared human experiences they represent. Each piece is connected to significant locations and moments in Rex's life, marking his journey away from a hostile environment and symbolizing personal growth and change.

Edna's background in fashion and craftsmanship, along with Rex's experience as an award-winning creative director in advertising, informs their unique approach to art-making. Together, they challenge traditional art practices by reimagining the role of discarded materials. They emphasize sustainability not only in environmental terms but also as a critique of overconsumption in the art world. Their work encourages a shift from novelty and perfection to appreciating what already exists, promoting a more thoughtful and inclusive artistic practice.