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Sandra Junele: News

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  • Saskia Saunders’ Embrace (2025), a square handwoven linen artwork with flowing ivory fibres on a natural linen ground in an oak frame.

    How Textile Art Changes Interior Spaces

    An insight piece by Claire-Julia Hill, Founder and Director, Gallery Les Bois 12 Aug 2026
    How contemporary textile art transforms interiors through scale, texture, light and material presence, with insights for collectors.
    Read more
  • Detail of Julian Emsley’s Barriers in Maple IV (2025), showing blackened Norwegian maple grain, fissures and carved form.

    How Reclaimed Timber Carries Memory

    An insight piece by Claire-Julia Hill, Founder and Director, Gallery Les Bois August 12, 2026
    How Julian Emsley transforms salvaged timber into contemporary sculpture, preserving material memory through carving, burning and touch.
    Read more
  • Detail of John Sabraw’s Aetheria III (2026), with luminous orange, turquoise, blue and mineral-brown passages.

    How Artists Transform Pollution into Colour

    An insight piece by Claire-Julia Hill, Founder and Director, Gallery Les Bois August 12, 2026
    How John Sabraw transforms acid mine drainage into luminous pigments, joining environmental remediation, scientific collaboration and artistic excellence.
    Read more
  • Detail of Sienna Martz’s Molten Heart (2025), showing densely layered red and crimson textile folds filling the square frame.

    Care as a Sculptural Language

    An insight piece by Claire-Julia Hill, Founder and Director, Gallery Les Bois August 12, 2026
    Care can become a sculptural language through material choice, patient making, repair and tactile presence. This essay explores sculpture as an act of attention.
    Read more
  • Detail of Sandra Junele’s 3540, a contemporary textile artwork made from reclaimed yarn waste in layered pale and dark fibres.

    The Poetry of Slow Making: Time, Material and Contemporary Art

    An insight piece by Claire-Julia Hill, Founder and Director, Gallery Les Bois August 11, 2026
    Explore how slow making transforms fibre, reclaimed materials and wood into contemporary art shaped by patience, skill and lasting attention.
    Read more
  • John Sabraw’s Celestial Chroma S1 1 (2022), an abstract painting of luminous colour and fluid, organic forms.

    Material Intelligence and Circular Design

    An insight piece by Claire-Julia Hill, Founder and Director, Gallery Les Bois August 11, 2026
    Material intelligence considers where materials come from, how they behave and what future lives they might have within a circular culture of artistic making.
    Read more
  • Detail of Into the Blue by Caitlin Heffernan

    When Time Meets Ecology: The Shared Language of Slow and Sustainable Art

    By Joseph Jenkinson December 30, 2025
    Joseph Jenkinson explores how slow art and sustainable practice share a language of time, material integrity, attention and care.
    Read more
  • John Sabraw’s Celestial Chroma S1 1 (2022), an abstract painting of luminous colour and fluid, organic forms.

    Material Matters: Rethinking the DNA of Contemporary Art

    By Joseph Jenkinson April 1, 2025
    Joseph Jenkinson explores how biofabrication, upcycling and regenerative materials are reshaping contemporary art and sustainable collecting.
    Read more
  • Portrait of Sandra Junele beside a circular yellow textile artwork made from reclaimed fibres.

    Threads of Tradition: Sandra Junele Weaves Generations of Ancestral Sustainability into Contemporary Form

    By Maxine Craig March 10, 2025
    Maxine Craig explores Sandra Junele’s sustainable textile art, shaped by reclaimed fibres, plant-based glue, Latvian memory and meticulous making.
    Read more
  • The Rise of the Sustainable Art Market

    The Rise of the Sustainable Art Market

    By Joseph Jenkinson January 1, 2025
    Joseph Jenkinson examines the sustainable art market through responsible gallery practice, artist innovation and informed collecting.
    Read more

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